Posts Tagged With: super 8 lifestyle

Pro8mm to launch weekly podcast: The Home Movie Legacy Project

 

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December 20, 2012

FOR IMMEDIATE RELEASE:

Pro8mm of Burbank, CA launches a weekly pod cast commencing January 9, 2013 that compliments their new division, Home Movie Legacy, www.homemovielegacy.com

 

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The Home Movie Legacy Project will air live on Wednesdays at 4PM Pacific Time (7EST) with your host, Rhonda Vigeant (author of GET “REEL” ABOUT YOUR HOME MOVIE LEGACY…Before It’s too Late!) If you are the family historian passionate about preserving and sharing family films, a filmmaker wanting to use legacy or found footage in a documentary, a wedding or life-style filmmaker wanting to include super 8 film in your work, a production manager looking to incorporate Super 8 film in a current project, a genealogy buff, memory keeper, or archivist, this show is for you!

http://rockstarradionetwork.com/shows/thehomemovielegacyproject

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Rhonda will draw upon her many years of running Pro8mm, a company known worldwide as being the Super 8 experts for production and legacy footage for over 4 decades. Pro8mm has developed proprietary technology for the entertainment industry to use Super 8 film in today’s most popular television shows (American Idol, The New Normal, The Neighbors, American Horror Story), theatrical releases (Argo, Super 8, The Fighter) and dozens of music videos, commercials for national brands and Independent Films.  They have worked on thousands of super 8 and 16mm projects for the entertainment industry, and have handled millions of feet of film to archive the legacies of the world’s most famous faces. They have digitized historical material for hundreds of documentaries, as well as Presidential Libraries, and Museums.

Some shows will focus on compelling interviews with people who are sharing their personal story using home movies from the past and the present, sharing what was discovered, what was challenged or what was confirmed. Other shows will feature technical content with guest speakers that will teach you how to best move your analog media into your digital life, including how to organize it, repurpose it, share it on social media, or monetize it for a wider audience.  A filmmaker forum segment featuring Phil Vigeant, President of Pro8mm, and author of The Power of Super8 Film: Insider Secrets Every Filmmaker Should Know, (Rhonda’s business partner, husband and tech guru) will be routinely included to help you learn what the entertainment industry does with their digital assets, tips on how to become head of your own personal studio, and why filmmakers can and should continue to shoot on film in a digital world. Home Movie Legacy isn’t just about grandpa’s old home movies. The term is all-inclusive and casts a wide net on the past, present and future independent filmmaking.

Rhonda is completely passionate about the value of legacy home movies in particular, and educating people how to best care for and share them.

“Everyone has a legacy and Home Movies are a living, recorded history of our lives, our family, our community, relationships, celebrations, the way we looked, dressed, and interacted. If a picture is worth a thousand words than a home movie must be worth a million. No where else can we rekindle those moments of times gone by or see ourselves interacting with our loved ones who have passed away. It jolts the memory with such a strong emotion in a way that nothing else can. My life’s work has been dedicated to the belief that not only is it important to see these images, but it is equally as important to preserve them with integrity for future generations so your family legacy on film lives! My show will be a call to action to GET “REEL” ABOUT YOUR HOME MOVIE LEGACY…. BEFORE It’s TOO LATE!”, while enjoying stories about the masses and the moguls who launched their careers by shooting home movies on film and continue to make it a vital part of their professional work today”.

Check Our Calendar http://www.homemovielegacy.com/calendar/ to view upcoming guests!

If you would like to be considered to be a guest on the show, email me, Rhonda@homemovielegacy.com

 

 

 

                 2805 West Magnolia Blvd, Burbank, CA 91505

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Categories: Home Movie Archiving, super 8 | Tags: , , , , , , , , , , , , , , , , , , , , | Leave a comment

Urban Outfitters Inc., releases Pro8mm’s Rhonda CAM


Urban Outfitters Inc. Releases Pro8mm’s Rhonda CAM – Dec. 17, 2012

The funky, fashion mega house Urban Outfitters Inc. is now selling Pro8mm’s Rhonda CAM on line at www.urbanoutfitters.com. Additionally, they will carry the Pro8/19 (500T) super 8 film stock, inclusive of pre-processing and HD scanning to an Apple TV digital file.

In June 2012, Pro8mm, the super 8 experts for production and legacy  footage, released the Rhonda CAM, a trendy Super 8 film camera geared toward consumer use and personal story telling on film. Pro8mm co-owner Rhonda states, “I wanted to design something young and fun that would appeal to a next generation of filmmakers. I really wanted something that not only looked cool, but it was simple enough to use; a camera that they would be inclined to just pick up and shoot.”  

Inspired by many of Pro8mm’s Super 8 wedding clients and lifestyle filmmakers, the Rhonda CAM was designed to meet the demands of consumer and pro-sumer clients. The greatest appeal of the Rhonda CAM is its small size, light weight, and low-light filming conditions. Weighing only ½ a pound, the Rhonda Cam is the perfect choice for on-the-go lifestyle filmmaking. It is the lowest light Super 8 film camera on the market, which makes it great for indoor and outdoor use. It is the perfect entry level Super 8 camera.

 
Click for Urban Outfitters Rhonda CAM demo on UO TV 

A few months after the camera’s release, a publicly traded American company that owns and operates over 400 retail locations across five retail brands: (Urban Outfitters, Anthropologie, Free People, Terrain, and BHLDN), contacted Pro8mm about adding the Rhonda CAM to their growing film and camera line. Urban Outfitters originated as “The Free People’s Store” in 1970 in Philadelphia, Pennsylvania, focusing on fashion and household products that include luxury brands and several designer collaborations. They are best known for catering to “hipster” culture, which incorporates an influence from past decades. (Wikipedia) It makes perfect sense that a Super 8 camera refurbished from the 1970’s would fit entirely into their vision. It is an honor for Pro8mm that Urban Outfitters chose the Rhonda CAM as their first motion picture film camera for their film and camera department, among their many trendy still photography cameras.

As a small, family run business, Pro8mm is thrilled to have their products endorsed by a major retail store such at Urban Outfitters. Marketing coordinator, Jaclyn states, “We are very excited and honored to be a part of the Urban Outfitter’s family.”

Checkout the Rhonda CAM on Urban Outfitters.com!!!

RhondaCAM          RhondaRoll
Rhonda CAM on Urban Outfitters                     Rhonda Roll on Urban Outfitters
 

Additional Releases about the Rhonda CAM:

SnowFactory.com: http://www2.snowfactory.com/news/business/rhonda-cam-super-8-camera-urban-outfitters/ 

Introducing the Rhonda CAM: http://pro8mm-burbank.blogspot.com/2012/04/introducing-rhonda-cam.html 

Facebook: www.facebook.com/therhondacam

You Tube: www.youtube.com/therhondacam

About Pro8mm: Pro8mm is applauded for being a one-stop shop where Super 8 and 16mm cameras, film, processing, digital mastering and treasured family archival services come together for production and archiving. Pro8mm is viewed as the leading experts in Super 8 film, whose products and services have been used in major motion pictures, music videos, television shows, commercials, documentaries, weddings and more. All of our services are performed in house, which allows our dedicated team to provide the fastest turn around times possible with the best quality control for your filmmaking needs.

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Super 8 Filmmaking is Alive, Well and Remains a Hot Production Medium at the One-Stop Burbank Shop, Pro8mm

 The release of the J.J. Abrams film Super 8 is bringing renewed attention to the popular film format which millions of families captured their home movies on during the 60’s, 70’s and 80’s. The format gave a vehicle for today’s most beloved filmmakers to experiment with a home movie camera that proved to be the gateway to some of the most prolific careers in filmmaking.  Directors such as Steven Spielberg, George Lucas, Oliver Stone, Sam Rami, Tim Burton, Francis Ford Coppola, and Ron Howard, among others, have all launched careers that have roots in Super 8 film.   As kids, they picked up the family Super 8 camera and saw it as much more than a tool to make home movies.  They used Super 8 as a production tool to experiment with a craft. This is the theme that runs through J.J. Abrams film Super 8 –  a group of kids who were making a real independent movie for a film festival with a Super 8 camera.

 While the general belief is that the Super 8 format died an honorable death with the advent of consumer and pro-sumer video, Hollywood insiders and savvy independent filmmakers know that the power of super 8 film is alive and well in Burbank, CA!

The company Pro8mm (formerly called Super8 Sound) has been working on over 1,000 professional projects every year since the mid 1980’s. Pro8mm hit its heyday in the 1990’s, working on every episode of VH-1 Behind The Music, Where Are They Now, and numerous MTV shows and specials.  More recent music videos have been shot on Super 8 film for such artists as Katy Perry, Beyonce, Christina Aguilera, Harper Simon, McFly, and  John Mellencamp. Commercials for consumer products such as Ford cars and trucks, Swiffer, Home Depot,  Billabong and Roxy, as well as inserts in TV shows such as American Idol, 48 Hours, The Grammy’s, and My Name Is Earl have all embraced the Super 8 format.  Additionally, 35mm theatrical releases such as Super 8, My Sister’s Keeper, and Factory Girl have incorporated Super 8 inserts to create the sense of flashback scenes and vintage moments throughout their feature films.  This list is just the tip of the iceberg for professional applications that the Super 8 format has worked particularly well for.

Additionally, Pro8mm specializes in the HD archival transfers of homes movies and historical films for use in museums, documentaries or the personal archives of the worlds most famous faces. Pro8mm’s projects include the Hewlett-Packard Family and The Estee Lauder Family, The Richard Nixon Library, and tour footage from The Eagles “Hell Freezes Over” tour. Pro8mm has also transferred the first films of many famous directors and cinematographers.

Pro8mm focuses on a hybrid of products and services that make it possible for filmmakers to do professional production work with the Super 8 format. Pro8mm turns its work around very quickly, sometimes even the same day.  All services are on-site, including a retail store for purchasing or renting cameras and film, the processing lab, camera technicians, and the scanners, which digitize the film in 1080 high-definition to a hard drive for ease of editing.

Pro8mm rebuilds classic Super 8 cameras with modifications that a modern filmmaker would want, such as 16:9 aspect ratios and sync sound. Pro8mm also reformats over 20 different Super 8 film stocks, cutting down Kodak and Fuji 35mm film. This gives cost-effective access to the same film stocks being used to make Hollywood blockbusters. Recently, Pro8mm invested over one million dollars in a Millennium II, 4K scanner, with daVinci 2K color correction, custom modified for Super 8, regular 8 and Max 8 formats.  This is the same type of scanner you would see at a high-end 35mm post-production facility.

Over the past two years, Pro8mm has made a monumental commitment to educating the next generation about the benefits of shooting on Super 8 film.   In 2010, Phil Vigeant, President of Pro8mm, wrote a book titled, “The Power of Super 8 Film – Insider Secrets Every Filmmaker Should Know.”  The book focuses on why the pros use it, love it and keep it a secret. Phil gives his expertise on the format and explains why he invented products that change the way filmmakers and the entertainment industry use Super 8 film.  Additionally, Pro8mm has launched a series of free teleseminars that focus of Super 8 applications and technical information about the process. Pro8mm has expanded their educational products by offering free hands on film shooting workshops at schools, major industry events and even private workshops at their shop. Pro8mm also hosts their own 2 day Super 8 training workshop, where Phil Vigeant gives in-depth technical sessions on Super 8 filmmaking, and guest speakers talk about and show samples shot on Super 8 film of the many applications of Super 8, such as weddings, commercials and music videos.

COMPANY HISTORY:

Founded in 1971 in Cambridge, Massachusetts, the company, which was originally called Super8 Sound ™, pioneered the belief that the Super 8mm film format had tremendous potential as a production medium.  History Of Super 8 Sound . A small group of inventors and entrepreneurs designed a line of specialty sync-sound full coat (audio tape that has sprocket holes) and cassette recorders, editing benches and crystal sync modifications to Super 8 Cameras and other production accessories. The idea was that you could replicate 35mm filmmaking using Super 8 equipment. This indeed made the Super 8mm film format and Super8 Sound ™ an integral part of hundreds of university film programs worldwide. Film programs could teach in double system filmmaking on cost efficient super 8. It became widely used by individuals with a desire to make independent films.

In 1982, Super8 Sound employee and staff accountant Philip Vigeant had the opportunity to buy the company. In the years that followed, Vigeant bought out other small companies in the Boston area including a film lab and a camera repair shop adding their services to Super8 Sound™.

A film chain telecine which transferred film to videotape was also added that year with the firm belief that the future of small format film laid in the ability to integrate it into the video arena. An in-house publication called The Independent Producer was launched which focused on the success of the independent film scene, focusing on people who were shooting on super 8. The magazine highlighted the stories of individuals making low-budget super 8 music videos and film for video distribution.

In 1987 Super8 Sound expanded the business by opening a second office in Hollywood, California. This expansion was driven by the amount of clients the company had on the west coast who were involved in producing MTV style music videos for their bands.

In 1989, another expansion was implemented to a larger Burbank location, adding a technical camera repair room, on-site processing lab, and film to videotape transfer services. Now a complete turnkey, one-stop shop, the company redirected it’s focus to meet the demands of their growing list of studio and industry mainstream clients. The Boston office was eventually closed in 1995. The Rank Cintel telecine suites with daVinci color correction were added, permanently eliminating film chain consumer quality transfers.

One of the biggest innovations for the company came in 1993 with the development of a line of Pro8mm negative film. Prior to this, only reversal super 8 film stocks were available from major film manufactures such as Fuji and Kodak. The idea was that a line of professional film stocks in the familiar easy to use 50-foot preloaded cartridges would offer a palette to filmmakers allowing for greater creative options for the cost efficient, highly portable super 8 format.

The company developed a manufacturing operation on-site to cut and reformat professional 35mm film stocks, loading it into super8 cartridges. All-inclusive packages were offered so that film, processing, and telecine could be prepaid, allowing for better targeting of the production budget. The industry, students, and independents embraced this concept with huge enthusiasm. Today Pro8mm has an expansive line of over 20 reformatted film stocks that range from 50-500 ASA and 3 different scanning systems, including high-definition. In addition, they repackage Kodak Super 8 film stocks to include their award-winning processing and HD scanning services.

Over the next 10 years thousands of projects were shot on Pro8mm film including dozens of episodes of VH-1 Behind the Music, hundreds of commercials, segways for prime time television shows, and scenes in theatrical releases.

The name of the company was changed to Pro8mm in 1998, which was more in line with the company’s mission statement and goals. Professional Super 8 and

Pro (in favor of) 8mm. The days of sound on film and mag full coat recorders were gone and the new direction of the company would be to integrate the small format film into the digital world. Profound changes were to follow to bring Super 8 into the HD world.

In 2003 Pro8mm expanded the small format product line to include Pro16mm, loading 16mm film onto 100’ daylight spools, rebuilding classic 16mm cameras and expanding our processing and telecine services.

Aligning with prosumer and industry trends, 2005 brought Pro8mm into the widescreen era with the introduction of  Max 8, a 16 X 9 widescreen super 8 camera and scanning system. Pro8mm began building classic cameras with a new expanded gate, allowing for 20% more image to be captured where the old sound stripe used to be on the film. The development of modern aspect ratio products and scanning committed Pro8mm to be on board for the world of high-definition and the future.

In late 2007, Pro8mm began purchasing HD Scanning Equipment and set up an HD Scanning Suite. Their Millennium II HD Scanner and 2K daVinci Color corrector gave Pro8mm the capability to move forward by both preserving archival material in HD or by directing scanning in native 1080 off the frame, and accommodating our production clients as all broadcast moves to digital.

As a generation of filmmakers began to finish film school without ever shooting a frame of real film, 2010 brought the company to the realization that they needed to make a hefty commitment to education people on how to shoot on Super 8 film. Company president Phil Vigeant wrote a book called  “The Power of Super 8 Film – Insider Secrets Every Filmmaker Should Know and the company began running free shooting events, teleseminars, workshops, and two-day Boot Camps for a nominal fee.

Pro8mm is applauded for being a one-stop shop where Super 8 cameras, film, processing, digital mastering, hands on training and treasured family archival home movies can all be handled by a dedicated staff with decades of experience. The company has enjoyed continuous growth for over 40 years in a niche market that in our opinion exists at all because of the dedicated hard work and entrepreneurial spirit to continuously move forward in alignment with the media industry.

Check out Pro8mm at pro8mm.com or call 818-848-5522

By Rhonda Vigeant, Director of Marketing  Rhonda@pro8mm.com

Categories: super 8, Uncategorized | Tags: , , , , , , , , , , , , , , | Leave a comment

Something Old & Something New: The Advantage of Shooting Weddings on Super 8 Film

The saying “Something Old, Something New, Something Borrowed, Something Blue” is a good luck saying which dates back to the Victorian era and many brides will ensure that they have something of each on their wedding day. While “something old” is meant to connect the wedding to something in the past, and “something new” is meant to represent good luck and success, somehow the saying seems to apply extremely well to wedding videos. Weddings shot on Super 8 film bring that vintage look that connects you to past, yet still maintain the timeless and fresh impression of the modern bride.

While the brides of the 80’s and 90’s were all about being shot on video, the past 10 years have shown a huge resurgence toward creating montage wedding footage on Super 8 film. Maybe nostalgia is the driving force in this new twist. Or maybe part of the reason for this resurgence comes from the greatly expanded repertoire of film stock in the market.  But with tough competition from digital choices, super 8 wedding films today have definitely gone boutique.

I remember exhibiting at WEVA about 7 years ago (Wedding and Event Videographers Association.) At that time there were only a tiny handful of attendees who had any interest in adding a Super 8 package to their weddings. The idea seemed daunting and counter intuitive to the masses, and many had just invested heavily in the newest technology at the time, the digital video camera. There were laundry lists of concerns coming from the filmmakers when I tried to explain to them why they should shoot on Super 8 film instead of digital. I would hear questions like:  How do I price it? How will I know if I got the shots? What about sound? How do I edit it? What’s the turn around time? What’s the point?

Like all great ideas, sometimes it takes a little notoriety for an idea to catch on. A number of wedding filmmakers who shot on Super 8 film are now regularly featured in The Knot, Martha Stewart Weddings, Elle, Brides Magazine, The Wedding Channel, and the wedding forums and blogs for their gorgeous, timeless work shot on Super 8 film. 

There are many reasons why these popular wedding photographers and “videographers” are choosing to shoot on film vs. digital.  First of all, film is the only proven archival medium.  We know the image will still be here for future generations to enjoy.  Next, the film stocks are remarkable. Since Pro8mm invented Super 8 negative film over 15 years ago, the expanded latitude allows even a new filmmaker to achieve gorgeous shots. We especially recommend the Pro8/19.  This is a 500 tungsten Vision 3 stocks that is so versatile. You can go from indoors to outdoors without a filter and still get clear, amazing images. For those who braved shooting weddings years ago on old film stocks like Kodachrome 40, the challenge was difficult. You would have to use an 85A filter outdoors if you were shooting the ceremony in full sun. You would then have to set up lights if the reception was indoors, and the low-lit dance floor was always a problem. Combine that with about 1 stop of latitude and you had to be pretty good with a camera to get good images. Today Super 8 film ranges from 50 to 500 ASA with stocks that have up to 19 stop of latitude and 3 uniquely different film processes: color negative, color E-6, black and white reversal. Because today’s Super 8 film has greater latitude, expanded ASA’s, a variety of original stock to pick from, and you can even scan Super 8 film to HD directly, shooting Super 8 film is easier and more aesthetically beautiful than ever. There are also some special lab techniques such as cross processing, skip beach, pushes, and pulls that create tremendous variety in origination.

On average a good shot lasts for about 10 seconds so even on a budget, you have lots of shots to work with. Although that may sound intimidating to the hours of video that could be shot for a similar amount of money, the uniqueness of having real film adds a great artistic addition in quality that no plug-in can match. It is almost impossible to replicate a films unique way of capturing light therefore no plug-ins or app can replicate the look of real film.

Pro8mm has been crusading for the momentum of this growth in the wedding market by making pricing easy. Our all-inclusive fixed price packages (film, processing, prep and clean and scanning to a Pro Res file) allow for easy calculation to add a Super 8 option. For example, a 4-roll package (10 min of film) is just $336. An 8-roll package (20 min of film) is just $558 That’s for everything except the hard drive.

Weddings are a great format to experiment with because they personify originality and nostalgia. This generation was raised on MTV and nothing makes a young couple happier then to look at their wedding more like a music video rather than hours of footage that captured every second of the day. It is the highlights we remember, and Super 8 is the perfect format to capture a medley of moments.

 

Phil Vigeant is the President/Senior Colorist at Pro8mm. He is the author of “The Power of Super 8 Film – Insider Secrets Every Filmmaker Should Know.”  He was worked on thousand of Super 8 projects for production and archiving including Music Video’s for client such as Madonna, Beyoncé, Katy Perry, Paula Abdul, Mariah Carey, Neil Young, Aerosmith, Black Eye Peas:  Commercials for Nike, Billabong, Volcom, Fossil, Blue Cross, Truth in Advertising, and Television for shows like, American Idol, 48 Hours, Mad About You, National Geographic, Histories Mysteries and over 50 Feature Films that have used Super 8 film such as Super 8, 8mm, JFK, Factory Girl, My Sisters Keeper Lords of Dogtown , Red Corner, Armageddon and Pearl Harbor.

 

 

Categories: super 8 | Tags: , , , , , , , , , | 2 Comments

Is There a Super 8 Life Style?

Wikipedia defines lifestyle in its simplest terms as “the way people
live”

Some lifestyles are easy to define.  Just watch an episode of  “Lifestyles of the Rich and Famous” or a National Geographic show that has a segment on some indigenous culture.  We see the lifestyle of the people pretty clearly.

In the 21st Century, particularly here in the West, there are more lifestyle options than ever before, and they are not all defined by socio-economics. Our choices for health and wellness, sexual orientation, products we use, how we transport ourselves, the way we socialize,  are choices that reflect our life style. The essence of our being.

To me, lifestyle is every day life. What we wear. What music we listen too. How we celebrate. I love to watch the everyday life of people’s home movies from the 50’s, 60’s, and 70’s shot on 8mm or super 8mm film. I can walk into our scanning suite any day of the week and get a nostalgia fix when I catch a glance of a birthday party, Christmas gathering, family BBQ, beach day or Disney outing. There is something so calming about the footage. Parts of it are always predictable. I identify with it. It slows me down from the constant pounding on my computer, ipad, or smart phone. It takes me back. It makes me feel good. It reminds me – I’m ok.

I like seeing the woman dress the way my mother dressed in that era. The shape of the eyeglasses, the dishes on the table, the cars.  I get really excited when I see a lamp that is the same style of one I grew up with, or a fabric pattern that was iconic in its day.

More and more I hear filmmakers I work with say that one of the things they like best about shooting on super 8 film is the “lifestyle behind it”. When I first heard people talking in this way, I thought they meant the surf culture or the skateboard culture, or even the adult film culture of which so much has been captured on 8mm film over the decades. So I started asking, what do you mean? What is the super 8 lifestyle?  Do you mean the lifestyle of the filmmaker who chooses super 8 as the way they want to tell a story or “Lifestyle Filmmaking shot on super 8 film”?

After giving this some thought, I think I have decided it is both. There is a certain type of filmmaker who defines the super 8 life style, and clearly chooses to tell stories on this medium. They are Independent. Hands On. Above average intelligence.   They like counter-culture. They are a Risk Taker. Personable. Humble. Modest. Generous. Grateful. Patient. And, amazingly creative.  The Super 8 filmmakers that I know who are the most successful with their super 8 filmmaking possess a majority of these qualities. And it is these qualities that really put these filmmakers in a league of their own when it comes to getting the shots that are romantic, playful, emotional, personal, intimate, and heartfelt.

Filmmaker George Manzanilla who shoots his spots for Billabong on Super 8 film says what he likes is that it is the emotional connection you are able to make with the subject when you shoot them on Super 8 film. It’ s a personal format. You get images you can’t get from a digital camera. The way he shoots changes the relationship the models. http://youtu.be/V4YyFSlP7aQ

Feature filmmaker Kurt Markus and son Ian were the entire crew for the super 8 documentary “It’s About You – John Mellencamp”. His narration in the film speaks about how having another person along to do the sound would have changed the dynamic. Then they would not be just father and son messing around in America with their Super 8 cameras. http://vimeo.com/16177978

Look at music videos such as  “Two is Better Than One” (Boys Like Girls) The performance piece is shot on the Red Camera.  http://youtu.be/cUMfdoIXv4U The love story is shot on super 8. It feels so real and touches emotions deep with in your soul. Or singer Harper Simons “Berkley Girl”  (shot by Ben Kutsko from The Masses) http://www.youtube.com/watch?v=VfXv6RBPEdI&feature=player_embedded

 Nowhere do we see this hankering for super 8-lifestyle filmmaking so prevalent as we do in weddings. While brides of the 80’s and 90’s were all about being shot on video, the past 10 years have shown a huge resurgence toward creating montage wedding footage on Super 8 film. Intimate. Personal. Playful. From simple low-budget weddings to Hollywood Celebrity Extravaganza Weddings, brides, grooms, and even the guests want to get in on the act. Check out the work of some of these amazing Wedding Filmmakers (and we have dozens more with just as awesome footage!) These are folks who have made a HUGE commitment to their craft, taking a risk (without video assist) at someone’s wedding that the footage being captured on 30-year-old cameras will do the job they were hired to do. This is not for the weak of heart. These wedding filmmakers personify the Super 8 lifestyle and personify the craft! Check out some of them and their amazing work.

Kate Headley http://www.kateheadleyphotography.com/

Braden Lower http://www.abryanphoto.com

Megan Hill http://hellosuper8.com/

Steve Moses http://vppvideo.com/

Michelle Walker http://layercakefilms.com/

The filmmakers themselves rave about the vintage charm.

Michelle Walker of Layer Cake Films on her website explains that as a super 8mm wedding film company, we create films that are original, offbeat, fun, and exciting. We strive to make custom stylized films that combine our generation’s style and sensibility with yesterday’s vintage film and retro feel. No melodramatic forced emotion! We are all about having fun and capturing the joy of your wedding day. We embrace offbeat couples.

Super 8 Film was invented as a home movie format to record the lifestyle of everyday living 50 feet at a time. Each roll is like a play list of 3 ½ minutes or less. A shot of life in  “reel” time.   Today we see a trend toward recapturing more simplistic, intimate story telling people are gravitating to simple stories. The cameras were designed for the average consumer, so that anyone could use it. I think we will see more and more filmmakers using Super 8 to capture this feeling of intimate lifestyle. The number of super 8 shots in commercials and in TV shows continues to grow with each passing. Full circle. Lifestyle filmmaking on super 8. Your own reality TV show.

How do you define the “Super 8 Lifestyle?  Please post your responses here!

You can also register for our FREE, teleseminar on Super 8 Lifestyle Filmmaking, Wednesday, May 11 at 4:30pm pacific (7:30pm eastern). Click here to read about the teleseminar and register: http://tinyurl.com/3sj6rhe

By Rhonda Vigeant. Director of Marketing, Pro8mm www.pro8mm.com

Categories: super 8 | Tags: , , , , , , | 2 Comments

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