Posts Tagged With: Chinon Super 8 Camera

Pro8mm to launch weekly podcast: The Home Movie Legacy Project

 

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December 20, 2012

FOR IMMEDIATE RELEASE:

Pro8mm of Burbank, CA launches a weekly pod cast commencing January 9, 2013 that compliments their new division, Home Movie Legacy, www.homemovielegacy.com

 

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The Home Movie Legacy Project will air live on Wednesdays at 4PM Pacific Time (7EST) with your host, Rhonda Vigeant (author of GET “REEL” ABOUT YOUR HOME MOVIE LEGACY…Before It’s too Late!) If you are the family historian passionate about preserving and sharing family films, a filmmaker wanting to use legacy or found footage in a documentary, a wedding or life-style filmmaker wanting to include super 8 film in your work, a production manager looking to incorporate Super 8 film in a current project, a genealogy buff, memory keeper, or archivist, this show is for you!

http://rockstarradionetwork.com/shows/thehomemovielegacyproject

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Rhonda will draw upon her many years of running Pro8mm, a company known worldwide as being the Super 8 experts for production and legacy footage for over 4 decades. Pro8mm has developed proprietary technology for the entertainment industry to use Super 8 film in today’s most popular television shows (American Idol, The New Normal, The Neighbors, American Horror Story), theatrical releases (Argo, Super 8, The Fighter) and dozens of music videos, commercials for national brands and Independent Films.  They have worked on thousands of super 8 and 16mm projects for the entertainment industry, and have handled millions of feet of film to archive the legacies of the world’s most famous faces. They have digitized historical material for hundreds of documentaries, as well as Presidential Libraries, and Museums.

Some shows will focus on compelling interviews with people who are sharing their personal story using home movies from the past and the present, sharing what was discovered, what was challenged or what was confirmed. Other shows will feature technical content with guest speakers that will teach you how to best move your analog media into your digital life, including how to organize it, repurpose it, share it on social media, or monetize it for a wider audience.  A filmmaker forum segment featuring Phil Vigeant, President of Pro8mm, and author of The Power of Super8 Film: Insider Secrets Every Filmmaker Should Know, (Rhonda’s business partner, husband and tech guru) will be routinely included to help you learn what the entertainment industry does with their digital assets, tips on how to become head of your own personal studio, and why filmmakers can and should continue to shoot on film in a digital world. Home Movie Legacy isn’t just about grandpa’s old home movies. The term is all-inclusive and casts a wide net on the past, present and future independent filmmaking.

Rhonda is completely passionate about the value of legacy home movies in particular, and educating people how to best care for and share them.

“Everyone has a legacy and Home Movies are a living, recorded history of our lives, our family, our community, relationships, celebrations, the way we looked, dressed, and interacted. If a picture is worth a thousand words than a home movie must be worth a million. No where else can we rekindle those moments of times gone by or see ourselves interacting with our loved ones who have passed away. It jolts the memory with such a strong emotion in a way that nothing else can. My life’s work has been dedicated to the belief that not only is it important to see these images, but it is equally as important to preserve them with integrity for future generations so your family legacy on film lives! My show will be a call to action to GET “REEL” ABOUT YOUR HOME MOVIE LEGACY…. BEFORE It’s TOO LATE!”, while enjoying stories about the masses and the moguls who launched their careers by shooting home movies on film and continue to make it a vital part of their professional work today”.

Check Our Calendar http://www.homemovielegacy.com/calendar/ to view upcoming guests!

If you would like to be considered to be a guest on the show, email me, Rhonda@homemovielegacy.com

 

 

 

                 2805 West Magnolia Blvd, Burbank, CA 91505

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8 Tips For Shooting Modern Super 8 #5 Airport X-ray

#5  Airport X-ray

fogged film

(sample of 16mm Kodak Vision 320T Color Neg exposed to INVISION CTX-5500 baggage scanner)

Since 911, nothing has caused more grief to the use of film than airport X-ray. This is a great tragedy for film because with a little knowledge it is easily avoidable, and does not have to be the hassle it has become.   For 8 years now, I have taken 500 ASA film on every trip I have  taken.  I always run my film through the walk through X-ray without any special consideration.  I keep it in the original packaging, and I just put the film on the conveyor and let it go through.  That’s right!   If they want to rescan it, I tell them go for it.  On one trip, I clocked 10 scannings of my film.  I have never had a single frame with X-ray damage.  The X-rays do not build up on your film,  although you could, like the example above multiple x-ray hits if you put your film in your luggage.  The X-ray system  in the walk through are nowhere near as powerful as the luggage X-ray system.

What I never do is put my film in my luggage.    The CTX-5000 x-ray machines that are used to check baggage at most commercial aiports is a very powerful device that can fog film.  Not only is it much more powerful than  the machines at airport security check in areas, it may scan a bag several times from several different angles.  This WILL adversely affect your film whether it has been shot on not.   I have asked every customer that I have seen with X-ray damage to his or her film the same question.  Did they put their film through the luggage x-ray?   Without exception every filmmaker with an x-ray problem at one time or another put their film in their luggage.  So it is a simple  matter of carrying your film on the plane and not putting it in checked luggage.  To this point, do not use X-ray bags or lead lined bags and think that your film is safe in your luggage.  All the airport people do is turn up the  intensity of the  X-ray system to identify what is inside.

X-Ray damaged film is easy to diagnose because it has a very distinct stroking of just the blacks in the film.  It does not matter if the film was exposed when it was hit or not exposed. It does not even matter  what the ASA is,  as I have seen fogging even on Plus X black & white 100 ASA.

Because of the danger of x-ray, it is not a good idea to buy super 8 film from questionable sources.  In the film industry there is a lot of film that is resold because it was not used on a production.   This film, commonly called Recan in 16 and 35mm .  When handled by reputable companies, it  can be easily tested and then resold with full integrity.    With Super 8 film there is no way to do this type of testing.  Therefore, if you buy your super 8 from a short ends reseller you are taking a big risk because they cannot test it.  (c) Pro8mm ™ Phil Vigeant, 2009

Did you know that Pro8mm sends you a DO NOT X-RAY sticker when you buy film from us so you can stick it on the outside of the package when you send the film back in for processing?  Private carriers such as Fed-ex and UPS  use there own planes and do not X-ray there packages but it doesn’t hurt to use DO NOT X-RAY stickers .   In remote locations  sometimes these carrier will use commercial airplanes to fly there freight, in which case  your package could be X-Rayed. Check with the carrier and clearly mark the package – Rhonda    www.pro8mm.com

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8 Tips For Shooting Modern Super 8 #1 Brush Your Camera Gate

Ugh… there  is a hair  in the camera gate!  Nothing is more aggravating for  us and to you  when we  get absolutely gorgeous footage up on the scanner and there  is a big yucky piece of dirt or hair in the frame.  Just a small effort on your part will make your footage sparkle!  BRUSH YOUR CAMERA GATE! – Rhonda

# 1   Hair in the Gate:

“Because of the nature of film and the way it travels through a camera and exposes each frame, the system will build up debris in the gate.  If  it is  allowed to accumulate,  this  will block some of the image.  The metal gate frames the film with what should be a smooth black border.   Because you are running film over metal, it tends to leaves tiny deposits on the gate as the film passes over it.  This emulsion residue is a gummy substance that is barely visible to the naked eye.  If this is not cleaned  from your camera, from time to time you can have several problems.   First, the gummy glue can trap foreign substances like hair, lint, and dust and hold it firmly, often where the image is taken in a camera.  This  results   in these  ugly black globs  which start around the boarder that blocks some of your image usually on the edges,  but sometimes  big enough to block a lot of picture.   Depending on the size of these foreign obstacles, a hair in the gate can ruin a shot.   In addition, the build up of emulsion can get so bad that your camera can physically scratch the film.   The fix for these problems is very simple.   Go to the store and purchase a child’s toothbrush.  Gently brush a few strokes between every cartridge.   Every, single, cartridge!   It is amazingly simple but incredibly effective.   Do not use compressed air as all that will do is blow dirt around, and  it might blow debris into somewhere you cannot get it out.   In addition, compressed air does not often have the force to move the object because remember, it is stuck in place.    Do not use a Q-tip, as the chance of leaving a fiber of cotton is greater then the good you will do by performing the cleaning.”                                                                                     (c) Pro8mm ™ , by Phil Vigeant 2009

If your camera has never been cleaned,  you might need to do some more extensive work.  Once it is clean, the brush trick is all that should be need to keep you hair free.

Pro8mm includes a free camera gate brush with every rental or purchase.  They are also available for sale  on our website for $5.00  at  www.pro8mm.com.   A nifty little  tool  that fold up small and has  an attached cover, so you don’t have to worry about loosing it.     Once you use it on your camera, we do not advise using it as a substitute for gum or mints when you  have been on the set all day, or for that matter, the other way around!  www.pro8mm.com

Our Tip #2 will be on THE 85 Filter Situation.

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